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威廉·卡洛斯·威廉斯(英文介绍)
你可以进行适当的删减：William Carlos Williams (September 17, 1883 – March 4, 1963) was an American poet closely associated with modernismand imagism. He was also a pediatrician and general practitioner of medicine.Williams was born in Rutherford, New Jersey. His grandmother, an Englishwoman deserted by her husband, had come to the United States with her son, remarried, and moved to Puerto Rico. Her son, Williams’s father, married a Puerto Rican woman of French Basque and Dutch Jewish descent.Williams received his primary and secondary education in Rutherford until 1897, when he was sent for two years to a school near Geneva and to the Lycée Condorcet in Paris. He attended the Horace Mann School upon his return to New York City and, having passed a special examination, was admitted in 1902 to the medical school of the University of Pennsylvania, from which he graduated in 1906. Upon leaving University of Pennsylvania, Williams did internships at both French Hospital and Child’s Hospital in New York before going to Leipzig for advanced study of pediatrics.He published his first book, Poems, in 1909.Williams married Florence Herman (1891–1976) in 1912, after he returned from Germany. They moved into a house in Rutherford, New Jersey, which was their home for many years. Shortly afterward, his second book of poems, The Tempers, was published by a London press through the help of his friend Ezra Pound, whom he met while studying at the University of Pennsylvania. Around 1914, Williams had his first son, William E. Williams, followed by his second son, Paul H. Williams, in 1917. His first son would grow up to follow Williams in becoming a doctor.Although his primary occupation was as a family doctor, Williams had a successful literary career as a poet. In addition to poetry (his main literary focus), he occasionally wrote short stories, plays, novels, essays, and translations. He practiced medicine by day and wrote at night. Early in his career, he briefly became involved in the Imagist movement through his friendships with Pound and H.D. (whom he also befriended at the University of Pennsylvania), but soon he began to develop opinions that differed from theirs.In 1915 Williams began to associate with a group of New York artists and writers known as "The Others."Founded by the poet Alfred Kreymborg and the artistMan Ray, this group included Walter Conrad Arensberg, Wallace Stevens, Mina Loy, Marianne Moore and Marcel Duchamp.In 1920, Williams was sharply criticized by many of his peers (such as H.D., Pound, and Wallace Stevens) when he published one of his most experimental books,Kora in Hell: Improvisations. Pound called the work "incoherent" and H.D. thought the book was "flippant."The Dada artist and poet Baroness Elsa von Freytag-Loringhoven critiqued Williams’s sexual and artistic politics in her experimental prose poem review entitled "Thee I call ’Hamlet of Wedding Ring’", published in The Little Review in March 1921.A few years later, Williams published one of his seminal books of poetry, Spring and All, which contained the classic poems "By the road to the contagious hospital," "The Red Wheelbarrow," and "To Elsie." However, in 1922, the year before Williams published Spring and All, T.S. Eliot published The Waste Land which became a literary sensation and overshadowed Williams’s very different brand of poetic Modernism. In his Autobiography, Williams would later write, "I felt at once that The Waste Land had set me back twenty years and I’m sure it did. Critically, Eliot returned us to the classroom just at the moment when I felt we were on a point to escape to matters much closer to the essence of a new art form itself—rooted in the locality which should give it fruit." And although he respected the work of Eliot, Williams became openly critical of Eliot’s highly intellectual style with its frequent use of foreign languages and allusions to classical and European literature.Instead, Williams preferred colloquial American English.In his modernist epic collage of place, Paterson (published between 1946 and 1958), an account of the history, people, and essence of Paterson, New Jersey, he wrote his own modern epic poem, focusing on "the local" on a wider scale than he had previously attempted. He also examined the role of the poet in American society and famously summarized his poetic method in the phrase "No ideas but in things" (found in his poem "A Sort of a Song" and repeated again and again in Paterson).In his later years, Williams mentored and influenced many younger poets. He had an especially significant influence on many of the American literary movements of the 1950s, including the Beat movement, the San Francisco Renaissance, the Black Mountain school, and the New York School.One of Williams’s most dynamic relationships as a mentor was with fellow New Jersey poet Allen Ginsberg. Williams included several of Ginsberg’s letters in Paterson, stating that one of them helped inspire the fifth section of that work. Williams also wrote the introduction to Ginsberg’s important first book, Howl and Other Poems in 1956.Williams suffered a heart attack in 1948 and after 1949, a series of strokes. Severe depression after one such stroke caused him to be confined to Hillside Hospital, New York, for four months in 1953. He died on March 4, 1963, at the age of 79 at his home in Rutherford. He was buried in Hillside Cemetery inLyndhurst, New Jersey.
便条威廉斯是诗吗理由
1、《便条》是沈德炳所写的诗歌，发表于中国作家网，是文学体裁。 锁在十五平米屋里的 不只有我和盛大的清晨 勤劳的母亲爬上山坡 那玩弄多年锄头的双手 无奈的画上巨大的箭头 2、《便条》是威廉·卡洛斯·威廉姆斯一首诗，威廉·卡洛斯·威廉斯意象派诗人。我吃了 放在 冰箱里的 梅子 它们 可能是 留着 早餐用的 请原谅我 它们太好吃了 又甜 又凉
美国文学中“迷惘的一代”与“垮掉的一代”有什么区别
1、时间不同
迷惘的一代，又称迷失的一代，是美国文学评论家格特鲁德·斯坦因提出的第一次世界大战到第二次世界大战期间出现的美国一类作家的总称。
垮掉的一代/或称疲惫的一代则是第二次世界大战之后出现于美国的一群松散结合在一起的年轻诗人和作家的集合体。
2、价值观不同
迷惘的一代对美国社会发展表现出一种失望和不满。他们之所以迷惘，是因为这一代人的传统价值观念完全不再适合战后的世界，可是他们又找不到新的生活准则，态度消极。
垮掉的一代更为激进。蔑视社会的法纪秩序，反对一切世俗陈规和垄断资本统治，抵制对外侵略和种族隔离，讨厌机器文明，他们永远寻求新的刺激，寻求绝对自由，纵欲、吸毒、沉沦，以此向体面的传统价值标准进行挑战。
3、“垮掉的一代”实际上是“迷惘的一代”的对照。
“迷惘的一代”指的是第一次世界大战后成长起来的年轻人（包括海明威在内），他们之所以对生活失去信念是由于战争的创伤，但他们并未因此而失去对人性的渴望。
“垮掉的一代”则对人性的丑恶进行直接批判。
扩展资料：
“迷惘的一代”代表作家：
欧内斯特·米勒尔·海明威（Ernest Miller Hemingway，1899年7月21日－1961年7月2日），美国作家和战地记者，被认为是20世纪最著名的小说家之一。是美国“迷惘的一代”作家中的代表人物，作品中对人生、世界、社会都表现出了迷茫和彷徨。
他在第一次世界大战期间被授予银制勇敢勋章，1954年因为“他精通于叙事艺术，突出地表现在其近著《老人与海》之中；同时也因为他对当代文体风格之影响”获诺贝尔文学奖，代表作品有《老人与海》、《乞力马扎罗的雪》。作品主题集中在对战争的反对和对“硬汉”精神的倡导。
“垮掉的一代”代表作家：
盖瑞·施奈德早期曾阅读埃兹拉·庞德的作品，并因此对日本和中国产生了浓厚的兴趣。
威廉·卡洛斯·威廉斯曾经鼓励“垮掉派”文人创作，并为金斯堡的《嚎叫》撰写前言。
庞德对艾伦·金斯堡和旧金山文艺复兴作家产生了深远的影响。
希尔达·杜利德对罗伯特·邓肯诗风的形成至关重要。雷克斯罗斯曾经和“客观主义”作家共同出版作品。
百度百科—“垮掉的一代”
